- 144 Input Channels
- 64 Aux / Sub-Group Busses
- LR/LCR/LCRS/5.1 Master Buss
- 24 x 24 Full Processing Matrix
- 218 Dynamic Equalizers
- 48/96kHz Sample Rate
24 is a 25-channel version, which has two banks of 12 motorised faders and one master fader; but has all the same power and functionality as the larger SD10 but in a smaller frame comprising 24 main channel faders and a master fader. The worksurface has the familiar 15-inch backlit colour-keyed TFT touch screen, home of the console’s super-intuitive control interface.
The sheer intelligence of the SD10-24 means even the most complex of tasks become quick and easy: engineers can recall or save presets on the channel strip; and recall or save snapshots using the master screen or hard wired switches on the console. In addition, special functions can be assigned and accessed instantly via the console’s 40 Smart Key Macros (accessible via four layers of 10 RGB backlit keys) at the push of a button. It really is that simple.
Under The Hood
The SD10-24 boasts 144 processing channels at 48kHz/96kHz, Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, four-band parametric EQ with band curve selection, DiGiCo’s DYN 1 (Compressor, De-esser or Multiband Compressor) and DYN 2 (Gate, Compressor or Ducker).
The console also benefits from 218 Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer Dynamic processing on each of the four standard parametric bands, plus there are also 218 Multiband Compressors and 218 DiGiTuBes; and no matter how the console is set up, the user won’t lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.
The master section incorporates 24 gangable 32-band graphic EQs, 24 stereo effects (selectable from a palette of 33), and 24 control groups (VCAs); and using snapshots, engineers can switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.
We’ve included 64 busses, which can be configured as groups or auxiliary; and in addition to these busses, for further configurability, we’ve provided a 24 x 24 output matrix, dual solo busses, and a Master buss.
Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.
I/O
At the rear of the SD10-24, there is an abundance of local I/O: eight mic line inputs, eight line outputs, eight mono AES I/O, two MADI connections with redundant cabling connections; and 16 GPI and GPO connections – expandable to 32.
The SD10-24 also works seamlessly with the DiGiCo SD-Rack, which delivers up to 192kHz high resolution analogue conversion. This opens the door to a wealth of interfacing options and provides the user with even further flexibility: when used with the Optocore interface, up to 14 SD-Racks and five redundant engined consoles can connect to one optical loop, which means a massive 1152 I/O connections are achievable (56 inputs and 56 outputs per SD-Rack).
Get instant access to 32 fully integrated low-latency Waves stereo MultiRacks, each with up to eight plug-ins per rack, by fitting an optional DiGiCo SoundGrid module linked to external SoundGrid or DiGiGrid servers, giving a total of 128 additional I/O.
General Specifications
- Faders 25 x 100mm Touch-Sensitive, Motorised
- Screens 1 x 15” (38cm) LCD High – Resolution Touch Screen
- Meters 26 x 20-Segment LED Bargraph
- Input Channels 144
- Busses 64 assignable that can be configured as groups / auxiliary busses + LR or LCR/LCRS/5.1 Master
- Solo Busses 2 Stereo Busses
- Matrix 24 x 24 Matrix (Additional to Busses Above)
- Control Groups 24, Selectable for VCA-style, Moving Fader, Mute Group
- Graphic EQ 24 x 32-band, Gain +/- 12dB
- Internal FX 24 Stereo FX Processors
- Local I/O 8 x Mic/Line I/O, 8 x AES/EBU I/O (Mono)
- MADI Interface 2 Redundant Interfaces, 75 Ohm BNC Connectivity
- Optic Interface Optocore
- MIDI Interface In / Out / Thru
- VGA Port DB-15 Mini-Female (1024 x 768 Resolution)
- USB Ports 3 x USB 2
- Light Connection 2 x XLR3 1.2 – 12V
- Ext Sync Word Clock, AES, MADI, Optics
- Headphone TRS Unbalanced / 8-600 Ohms 1/4 Inch Jack
- GPIO: 2 x DSub37
- SD10-24 Dimensions 982mm (w) x 799mm (d) x 286mm (h)
- SD10-24 Weight 45Kg/ 99.20lbs (140Kg/ 308.64lbs with Optional Flightcase)
- SD10-24 Flightcase 1170mm (w) x 1158mm (h) x 498mm (d) Weight 95kg/ 209.43lbs (Optional)
- SD10-24 Power Requirements 90-264 VAC, 47-63Hz Auto Sensing. 235 watts
Audio Specification
- Sample Rate: 48kHz or 96kHz
- Processing Delay: 2ms Typical @ 48k (72 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96k
- Internal Processing: Up to 40-bit, Floating Point
- A>D & D>A: 24-bit Converter Bit Depth
- Frequency Response: +/- 0.6dB (20Hz – 20kHz)
- THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
- Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
- Residual Output: <90dBu Typical
- Noise: (20Hz – 20kHz)
- Microphone Input: Better Than -126dB: Equivalent Noise
- Maximum Output Level: +22dBu
- Maximum Input Level: +22dBu
Processing Channel Specification
Input Channel
- Name: User-Defined / Presets
- Channel Selection: Mono / Stereo / Multi
- Input Routing: Main & Alternate Input
- Analogue Gain: -20 to +60dB
- Phase: Normal / Reverse
- Digital Trim: -40 to +40dB
- Delay: >1 Sec (Coarse & Fine Control)
- DiGiTuBe: Drive 0.01 – 50.0
- Bias 0 – 6
- LPF: 20 – 20kHz, 24dB/Oct
- HPF: 20 – 20kHz, 24dB/Oct
- Insert A: (Pre EQ/Dyn) On/Off
- Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1 - Dynamics 1: Single or Multiband (3-Band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold : 20us – 20ms
Release : 1ms – 100ms
Ratio : 1:1 – 50:1
Ess-Band : Listen On/Off
Ess-Band Filter Freq / Width: 20Hz – 20kHz - Dynamics 2: On/Off Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB with
Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any Source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz - Insert B: (Post EQ/Dyn) On/Off
- EQ/Dyn order: EQ/Dyn or Dyn/EQ
- Mute: Channel Mute / Hard Mute
- Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
- Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
Full Safe - Output Routing: Buss, Insert A, Insert B, FX
Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB - Fader: 100mm Motorised Fader ∞ to +10dB
Processing Channel Specification
Aux / Group / Matrix Output
- Name: User-Defined / Presets
- Phase: Normal / Reverse
- Digital Trim: -20 to +60dB
- Delay: >1 Sec (Coarse & Fine control)
- DiGiTuBe: Drive 0.01 – 50.0
Bias 0 – 6 - LPF: 20 – 20kHz, 24dB / Oct
- HPF: 20 – 20kHz, 24dB / Oct
- Insert A: (Pre EQ/Dyn) On/Off
- Equalisation: 8 Band EQ: 4 band Parametric and 4 band parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
On/Off
Freq; 20 – 20kHz
Gain; +/- 18dB
Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
Dynamic EQ On/Off
Over/Under
Band On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1 - Dynamics 1: Single or Multiband (3-band) Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel / Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
Knee : Hard, Med, Soft De-Esser: Threshold: 20us – 20ms
Release: 1ms – 100ms
Ratio: 1:1 – 50:1
Ess-Band: Listen On/Off
Ess-Band Filter Freq/Width: 20Hz – 20kHz - Dynamics 2: On/Off Gate / Ducker: Threshold; -60 – 0dB
Attack; 50us – 100ms
Hold; 2ms – 2s
Release; 5ms – 5s
Range; 0 – 90dB
Key; Any Source
Key Listen
Freq/Width; 20 – 20kHz Compressor: On/Off
Threshold; -60 – 0dB
Attack; 500us – 100ms
Release; 10ms – 10s
Ratio; 1:1 – 50:1
Gain; 0 to +40dB
with Autogain Option
Link; Any Channel/Buss
Hi Crossover; 20Hz – 20kHz
Lo Crossover; 20Hz – 20kHz
S/C Source : Any source
S/C Listen : On/Off
S/C Filter Freq/Width: 20Hz – 20kHz - Insert B: (Post EQ/Dyn) On/Off
- EQ/Dyn Order: EQ/Dyn or Dyn/EQ
- Mute: Channel Mute / Hard Mute
- Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
- Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
- Output Routing: Outputs, Insert A, Insert B, FX
- Fader: 100mm Motorised Fader ∞ to + 10dB
